XENOMORPH looks at the visual language of neon signage, retro graphic pattern and cyberpunk interfaces, and rebuilds it as architecture.

Each output divides a portrait canvas into large plates, some raised on thick walls above their neighbours. Every plate is tiled with hexagons, triangles, rhombi, octagons, crosses or bricks, extruded so the surface reads as solid, and marked with dots, rings, chevrons, zigzags, four-point stars, grids and scan lines. Scale shifts sharply between plates, so broad quiet planes sit beside dense fields of detail.

Colour comes in flat, saturated palettes, from electric cyan, magenta and lime to deeper cobalt, jade, vermilion and gold. They evoke neon light without glow effects, and pale highlights run along the plate seams.

The token hash determines the tiling, relief, light direction, motif density and palette. A rare variant adds offset colour seams. The cream frame and black keylines are part of the artwork.