Strikes explores the fragile boundary between order and chaos, not as opposing states, but as two inseparable forces constantly shaping one another.

Each piece begins with a system: structure, repetition, direction, an internal logic that seems to establish stability. Then chaos strikes. It interrupts the rhythm, bends trajectories, displaces elements, and fractures what appeared to be certain.

Yet chaos never exists alone. A disruption can only be perceived against something ordered, just as order becomes visible through the possibility of its collapse. Each depends on the other to exist.

This duality is embedded directly into the generative process. Structured compositions establish fields of direction, rhythm, and hierarchy, while controlled disturbances progressively interfere with those rules. Thousands of painterly strokes follow, resist, and reinterpret these underlying forces, translating their collision into movement, density, texture, and color.

The resulting image is neither designed nor surrendered entirely to randomness. It emerges from the negotiation between both: a system continuously trying to preserve its logic while being struck by forces capable of transforming it.